Thursday, 2 June 2016
Wednesday, 1 June 2016
Kyria Athenais. Transformations of Pallas and Parthenon in Late Antique Athens
dedications. In these centuries the main identity of the venerated goddess, Athena, is clearly
recognizable, as opposed to the 8th and 7th centuries BC, in which the cult on the Timpone della Motta already flourished.
The Groningen excavations (1991-2004) of the large 8th c. BC apsidal timber Building V.b. supplied data of large-scale feasts, of sophisticated textile production and of divine or substitute-divine anthropomorphic couple figurines. Besides possibly ritual weaving, another link to Athena is formed by the ever-increasing evidence that Francavilla Marittima may be identified as ancient Lagaria, the town founded by Epeios, constructor of the Trojan horse, who dedicated his tools in an Athenaion along the Ionian coast.
Christopher Lillington-Martin - Symbolism of Athena, and her metamorphoses, by means of the olive, in Homer’s Odyssey and Procopius’ Wars
Symbolism of Athena, and her metamorphoses, by means of the olive, in Homer’s Odyssey and Procopius’ Wars
Sandya Sistac - ‘Her do thou smite’ (Il. 5.132): a preliminary study of the relationships between Athena and Aphrodite in Homeric epic
‘Her do thou smite’ (Il. 5.132): a preliminary study of the relationships between Athena and Aphrodite in Homeric epic”
Following in the steps of Jean-Pierre Vernant, Marcel Detienne and, more recently, the studies of Gabriella Pironti on Aphrodite, a major part of my PhD (started some months ago) will focus on identifying and analysing Athena’s interactions with other Homeric divine beings. This “divine network” will hopefully bring forward clues regarding the place held by Athena’s divine puissance in the poems, which in turn may call forth an assessment of the Homeric network’s potential specificities compared to Hesiod’s for instance. From these observations, I intend to achieve an accurate characterization of Athena’s puissance as the Greeks understood it at the time of composition of the poems and as they still received it when the Iliad and the Odyssey were eventually written down. Obviously, we must never forget that this study’s frame of reference is a carefully crafted, literary one, hence the particular attention that must be given to the codes of epic literature and to the intrinsic logic of the poems at all times.
The presence of Athena in ancient Greek warrior-departure scenes is considered a standard adaptation of the archetypal 'departure scene'. Her presence in these scenes has influenced their interpretation by modern scholars some of whom regard them as expressions of polis ideology, with Athena naturally interpreted as the embodiment of the polis. However, this paper will explore the extent of her prolificacy, and its relative demise during the classical period. It will then discuss the growing representation of winged-women, and the automatic identification made by scholars with Nike, based upon her association with Athena. Finally, this paper shall dispute the automatic association with Nike, propose an alternative identification for the winged woman, and challenge the Athena sub-theme of departure scenes as being anomalous.
Tuesday, 31 May 2016
Alessandra Abbattista and Fabio Lo Piparo - The two folds of Athena’s garment: military and maternal aegis in Euripides’ Ion